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These days, the 808 drum kit is still used everywhere and especially in modern hip hop music. I might make more tags, but you'll hear that tag for the remainder of my career.The original Roland 808 drum machine was introduced in 1980, and ever since, the 808 kick sound has become arguably one of the most iconic and widely recognized sounds in music production. I came up with him and started everything with him, so I'm going to keep him on there forever.
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How'd you make your drop? The drop is my boy Skooly from the Rich Kids. I put the two together because I was making tracks, so I named it London on the Track. So she just named me after her event that was going on in London. She was going to London to do a show out there, but she couldn't go because she had me, and it was supposed to be one of the biggest moments of her life. The reason why my name is London is that my mom was a model back in the day-or at least trying to do the whole model thing, and she got pregnant with me. So, I don't want people to think I'm from London. Where'd your name "London on the Track" come from? First of all, London is my birth name. Back in the day, it was a lot of a learning process, so now that I figured out my formula of how I can make good music, it's much easier.ĭo you have any upcoming projects you're excited about working on right now? We got the Rich Gang album coming in November or December, one of the two. How has your style changed since you've started? I am making five to six tracks a day. Back in the day, we used to always record in houses and in closets-you know, anything. "About the Money," we did that in the studio, and "Curtains" from back in '08, '09, we did that back in the house. Were you working in the same studio as Young Thug for your early collaborations? Yeah, we always together. I'll make them beats and put them to the side, put them in the folder, so in case I do get in front of them I already have it ready. I do the melody first always-it's always the melody first, then I do drums.Īre you starting to craft beats with specific artists in mind, or are you just making beats and giving them to whoever can get them? I do that all the time, sometimes I just sit and think of the people that inspire me and I want to work with in the future and I make beats I know I'll get to.
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I always like a little sample of me recording myself, so I go in and record myself and play chords around what I just did. Does your creative process start on the keys? I start with the piano and play a couple of chords, and go through sounds and see what sounds different. You've mentioned you worked a lot with the piano. Once I did that, it was like anything can happen now, just gotta keep going. What was the first song of yours you heard on the radio? The first song I ever had on the radio and was probably the biggest moment of my life was probably "Pieon" by Rich Kids. Until I got my first Billboard, I was like "I'm gonna start charging people." Now I got three of them-four-got four on the Billboard.
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Certain people I was charging, but I was still giving out free beats to a point, where I needed to charge-like now. How long did it take for you to start charging? Okay, when I first started, I didn't really stop until I got signed. I didn't charge nobody I just wanted to get my name out there. Other people started wanting beats too, and I started giving beats out to everybody, and they were free. They were called the Rich Kids, and once I started making beats for them, I got hotter and hotter and started to brand myself. The people we had in our circle didn't have beats neither I was cool enough to make beats for them too. When did you start branching out and making beats for other people? Probably around the time I started making beats for my team. It couldn't be too hard, so I figured it out, downloaded some programs and put the two together. I had played piano-professional piano at that-from being at church.
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I said I'm gonna do something for the team, so I figured out how to make this beat stuff because I was already a musician.
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Then we'd have to buy exclusive rights for like $100, and we didn't have that kind of money.
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We were always going to Soundclick to download beats for 99 cents. How'd you get started producing? First I was an artist.